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Nicolas Poussin St Cecilia (mk08) oil painting


St Cecilia (mk08)
Painting ID::  21579
Nicolas Poussin
St Cecilia (mk08)
c.1627/28 Oil on canvas, 118x88cm Madrid,Museo del Prado

   
   
     

Nicolas Poussin Hut and Well on Rugen (mk10) oil painting


Hut and Well on Rugen (mk10)
Painting ID::  21801
Nicolas Poussin
Hut and Well on Rugen (mk10)
1802,Watercolour 13.8 x 21.5 cm Hamburg,Kunsthalle

   
   
     

Nicolas Poussin Landscape with Saint Matthew and the Angel (mk10) oil painting


Landscape with Saint Matthew and the Angel (mk10)
Painting ID::  21826
Nicolas Poussin
Landscape with Saint Matthew and the Angel (mk10)
Around 1644,Oil on canvas,99 x 135 cm Berlin,Dahlem Museum

   
   
     

Nicolas Poussin detail  Landscape with Saint Matthew and the Angel (mk10) oil painting


detail Landscape with Saint Matthew and the Angel (mk10)
Painting ID::  21827
Nicolas Poussin
detail Landscape with Saint Matthew and the Angel (mk10)
Around 1644,Oil on canvas,99 x 135 cm Berlin,Dahlem Museum

   
   
     

Nicolas Poussin The Arcadian Shepherds (nn03) oil painting


The Arcadian Shepherds (nn03)
Painting ID::  23454
Nicolas Poussin
The Arcadian Shepherds (nn03)
1638-9 Oil on canvas 85 x 121 cm 33 1/2 x 47 1/2 in Musee de Louvre Paris

   
   
     

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     Nicolas Poussin
     French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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     | Adriaen Hanneman | Benjamin Cam Norton | Johann Jakob Ulrich |


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